I'm going to revise the existing text and to complete what is beautiful and horrible at the same time. On the one hand, it is great to see how the text is better, on the other hand I ask myself why I have the little defects not immediately noticed. So it's good when someone from outside (read: the Agency) times reads about it and says: In this scene lacks emotion and still run the scene must be exciting.
Some authors consider such evidence as may be engaged in their work of genius, but I'm grateful for that. I write the book's not for me but for the reader. If someone would try to turn my story to another, I would defend myself vigorously against it, but these little clues are incredibly valuable and I learn a lot.
Apparently I have fear of sensitive sites, because every time it is emotional, I take myself particularly close for fear of being corny otherwise. I know what my character feels. The reader does not, and why he needs a few clues as to how it is now, if my protagonist her long-lost ... But I can not tell yet.
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